Susanna Phillips_logo

Susanna Phillips (soprano)

Alabama-born soprano Susanna Phillips, recipient of The Metropolitan Opera’s 2010 Beverly Sills Artist Award, continues to establish herself as one of today’s most sought-after singing actors and recitalists. The 2013-14 season saw Phillips return to The Metropolitan Opera for a sixth consecutive season. Starring roles with the company include Fiordiligi in Così fan tutte, under the baton of returning music director James Levine, Rosalinde in a new staging of Strauss’s Die Fledermaus as part of the annual New Year’s Eve gala, and Musetta in La bohème, a reprise of the role in which she made her house debut in 2008.

Phillips’ 2013-14 orchestral engagements included Fauré’s Requiem with Charles Dutoit and the San Francisco Symphony Orchestra as well as with the Philadelphia Orchestra where it shared the program with Villa-Lobos’s Bachianas brasileiras No. 5 with Alain Altinoglu. Phillips also joined the St. Louis Symphony to sing Ellen Orford in a concert performance of Peter Grimes, under David Robertson, at Carnegie Hall on Britten’s 100th birthday and in St Louis. Other orchestral engagements included Beethoven’s Ninth Symphony with the Milwaukee Symphony and Barber’s Knoxville: Summer of 1915 with the Jacksonville Symphony.

In recital, Phillips was joined by bass-baritone Eric Owens at Chicago’s Symphony Center for a program of Schubert lieder. Chamber music engagements included performances with Paul Neubauer and Anne Marie McDermott in a trio concert tour that culminates at Boston’s Gardner Museum.

In 2012-13, Phillips sang Donna Anna in Don Giovanni at the Met and returned to Carnegie Hall for a special concert performance as Stella in Previn’s A Streetcar Named Desire opposite Renée Fleming—a role she went on to perform, to rave reviews, at Lyric Opera of Chicago. Other operatic highlights included her return to Santa Fe Opera as the Countess in Le nozze di Figaro, and a concert production of Idomeneo at the Ravinia Festival. Orchestral appearances included collaborations with the symphony orchestras of Baltimore, Alabama, and St. Louis, and with the Oratorio Society of New York. The soprano made her solo recital debut at Carnegie’s Weill Recital Hall with pianist Myra Huang.

In 2011-12, Phillips sang Musetta at the Met; sang the title role of Lucia di Lammermoor at Chicago’s Lyric Opera and the Minnesota Opera; and made her European debut as Pamina in Die Zauberflöte at the Gran Teatro del Liceu Barcelona. In concert, she appeared with the St. Louis Symphony, Orchestra of St. Luke’s, and Santa Fe Concert Association, while the release of Paysages, her first solo album on Bridge Records, was hailed as “sumptuous and elegantly sung” (San Francisco Chronicle).

Highlights of Phillips’s previous seasons include numerous additional Metropolitan Opera appearances: as Pamina in Julie Taymor’s celebrated production of The Magic Flute, Musetta in La bohème (both in New York and on tour in Japan), and she was a featured artist in the Met’s Summer Recital Series in Central Park and Brooklyn Bridge Park. She made her Santa Fe Opera debut as Pamina, and subsequently performed a trio of other Mozart roles there: Fiordiligi in Così fan tutte, Countess Almaviva in Figaro, and Donna Elvira in Don Giovanni. Phillips made two appearances with Boston Lyric Opera and three with Opera Birmingham. She portrayed Adina in Lyric’s L’elisir d’amore, and, as a participant in the company’s Ryan Opera Center, sang the female leads in Roméo et Juliette and Die Fledermaus. Phillips made her Minnesota Opera debut in the notoriously challenging role of Elmira in Tim Albery’s production of Reinhard Keiser’s The Fortunes of King Croesus, and later sang Euridice there opposite David Daniels in Orfeo ed Euridice. Phillips has also played Mozart’s Countess with the Dallas Opera and Donna Anna with the Fort Worth Opera Festival.

Highlights of Phillips’s previous seasons include numerous additional Metropolitan Opera appearances: as Pamina in Julie Taymor’s celebrated production of The Magic Flute, Musetta in La bohème (both in New York and on tour in Japan), and she was a featured artist in the Met’s Summer Recital Series in Central Park and Brooklyn Bridge Park. She made her Santa Fe Opera debut as Pamina, and subsequently performed a trio of other Mozart roles there: Fiordiligi in Così fan tutte, Countess Almaviva in Figaro, and Donna Elvira in Don Giovanni. Phillips made two appearances with Boston Lyric Opera and three with Opera Birmingham. She portrayed Adina in Lyric’s L’elisir d’amore, and, as a participant in the company’s Ryan Opera Center, sang the female leads in Roméo et Juliette and Die Fledermaus. Phillips made her Minnesota Opera debut in the notoriously challenging role of Elmira in Tim Albery’s production of Reinhard Keiser’s The Fortunes of King Croesus, and later sang Euridice there opposite David Daniels in Orfeo ed Euridice. Phillips has also played Mozart’s Countess with the Dallas Opera and Donna Anna with the Fort Worth Opera Festival.

 

Leave a Reply